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However, the use of English has not guaranteed the popularity of K-pop in the North American market.
For some commentators, the reason for this is because the genre can be seen as a distilled version of Western music, making it difficult for K-pop to find acceptance in these markets. When combining multiple singers, the singers often switch their positions while singing and dancing by making prompt movements in synchrony, a strategy called "formation changing" (Korean: 자리바꿈, Jaribaggum).
South Korean embassies and consulates have also organized K-pop concerts outside the country, The history of Korean popular music can be traced back to 1885 when an American missionary, Henry Appenzeller, began teaching American and British folk songs at a school.
These songs were called changga in Korean, and they were typically based on a popular Western melody sung with Korean lyrics.
Jin Dal Yong of Popular Music and Society wrote that the usage may be influenced by "Korean-Americans and/or Koreans who studied in the U. [who] take full advantage of their English fluency and cultural resources that are not found commonly among those who were raised and educated in Korea." In 1995, the percentage of song titles using English in the top 50 charts was 8%.
This fluctuated between 30% in 2000, 18% in 2005, and 44% in 2010.
Similarly, increasing numbers of K-pop bands use English names rather than Korean ones.
The first pop song written by a Korean composer is thought to be "Nakhwayusu" (낙화유수, Fallen Blossoms on Running Water) sung by Lee Jeong-suk in 1929. These visits prompted attention from the Korean public.
In the mid-1920s, Japanese composer Masao Koga mixed traditional Korean music with Gospel music that American Evangelists introduced in the 1870s. In 1957, the American Forces Korea Network radio started its broadcast, spreading the popularity of Western music.
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